I saw Tron because I remember how it had exploded on the computer graphics scene in the 80s. The motorcycles streaking along beams of light, hurtling past sharp corners and the world that was far removed from the real one was eye candy. I wish it had stayed that way.
Tron Legacy picks a futile premise. The disinterested, prankster son going back to the world to rescue his long-lost Dad? Trapped in the whorls and computations of a chip? Give me a break. Everything is larger than life and without any real purpose. There is a long-winded sequence, a feast on a pig where the characters drink blue gel and mouth inane dialogue. How did all that food get cooked within this cyber world – or is it that people need to eat, even in that cyber state? No answers. The movie slips through the cracks between 2D and 3D and gets lost in a wire mesh of confusion over the motivations of its characters. Christoper Nolan this guy is not, by any stretch of the imagination.
While Inception flitted effortlessly between its dream and walking states without losing its audience, this one goes where hundreds of others have gone. There is a brilliant sequence in the first half where the cyber stadium is lit with fighters. There may be a reason why this world degenerated into such depravity, but you don’t want to find out. Some legacies, like the hardcovers on the shelves of Tron are best left to collect dust and nostalgia
Signage in India is chaotic, with competing signs trying to outdo the other in size, colours or simply by being the most garish one on the facade. There is nothing subtle about itRead more
In the sixties, the only way to learn to cycle was to plead for time on the weekends or when it wasn’t being used. Even if we managed to clamber on to the seat, by wheeling the bike next to the closest available platform, there was no way our short legs could reach the pedals and pump them to get ahead. Boys riding a girl’s bike, which did not have a central beam was considered sissy. So, it was the accepted practice for boys to ride with both legs split below the beam, arms stretched across the handlebars, body jutting out at a 45-degree angle, pedaling furiously and hoping that we would stay on course. A stream of instructions from friends accompanied every attempt “Don’t look down. Look straight. Pedal. Don’t stop” As if we could do everything at the same time. Miraculously, we could. Today, there are guard wheels, cycles built in staggered heights, constructed to match the size of little legs, but somehow, there was a lot more daredevilry in being able to ride the bike at this insane angle.
It took me a week to finally manage to do everything. Put my legs through the bar. Pedal at the crazy angle, with friends shouting encouragement. The first time it all came together, it was so exhilarating I forgot to look ahead. The technique also had an inherent side effect. It was always easier to ride in a circle. The moment I had to go straight, it took tons of effort. So, minutes after thinking that I had mastered the technique, I charged into a light pole. And ended up with a twisted, sprained ankle that ballooned black and kept me hobbling for weeks. I get funny looks from my kids when I tell them how I learned to ride the cycle. Why make such a big deal of it? And why on earth would you want to end up looking so stupid?
Chennai is a hot metropolis. In terms of the weather, that is. Otherwise, it is a straightjacketed, insular city that welcomes barely anyone. No offence, we are like that only. The weather moves to barely pleasant in November to Feb. The rest of the year, you deal with humongous humidity almost perennially at 90%. It’s enough to make an apple sweat. Or an egg, though I’ve never quite seen either of them (sweat, that is) There are sweat patterns on everyone’s clothes, from the maps of wetness underarms to the sticky maps that stretch across the entire chest. If you like looking cool, stay in your car or make a dash for the nearest air-conditioned space. Or come out only at night, when the weather is just as muggy, but no one scrutinises your clothes with disdain. If you want to get to smell the ultimate melting pot of body odour, just get on to a bus and you’ll get everything from day smells, to the cooking to many indecipherable ones. Chennai is good to anyone with a blocked nose. To everyone else, it’s an olfactory nightmare
The traditional album format for presenting an annual list has evolved. This year’s list ideas have given way to a format where an entire window of text headlines drops down to reveal the article below when a headline is clicked on. There are videos that depict practically each section, driving the notion that most people view rather than read.
It also tackles a tricky problem for designers. How do you get people to see the whole picture, especially when it has several elements? In most cases when it comes to showing log lists of ‘Best of’s’… the design has been linear, except that one could click anywhere on the line. Here, there is a concerted effort to engage, present the information as an overview and be able to quickly drill down to see what one is primarily interested in.
I have a feeling that a lot of designers are going to be using this for the presentation of information in a format that keeps people on the page longer rather than click to go to the next level. Helps your search engine scores and the amount of time spent on a page, especially when one doesn’t have to navigate away from it.